Post-Rocktoberfest 2011: UK Post-Rock Vol. 8

October 13, 2011 at 9:00 am 1 comment

UK Post-Rock Vol. 8

UK Post-Rock Vol. 8

Ultra-obscure bands! Little-known side projects! If volume seven was solid and familiar, this one is ragged and delightfully confounding. Click here to download UK Post-Rock Vol. 8 or click on the links in the track-list below to preview the individual songs. Like something you hear? Go buy the artist’s actual albums – preferably on vinyl!

1. ROC – “Cheryl”
Not really post-rock per se but ROC were highly illustrative of an experimental pop style that was very much contemporary with the original UKPR scene. This style has been fairly well represented in the UK Post-Rock compilation series, with tracks by the likes of Adventures in Stereo, Locust, Screeper and – of course – Experimental Pop Band.

2. Mark van Hoen – “Photophone Call”
Talking of Locust, here’s a track from a recent solo album by that band’s leader (and Seefeel founder) Mark Van Hoen. Where is the Truth was perhaps the tragically overlooked LP of 2010.

3. Matt Elliott – “The Mess We Made”
Also tragically overlooked, Third Eye Foundation mainstay Matt Elliott’s first solo album The Mess We Made is an absolute gem. Here’s the title track.

4. Foehn – “We Tear at Each Other’s Hearts”
Foehn was Debbie Parsons, who contributed heavily to The Third Eye Foundations scarifying Ghost album. Foehn’s work is less nerve-wracking but equally spooky.

5. Crescent – “Drift”
Like Matt Elliott and Foehn, Crescent were central to the Bristol post-rock/space rock scene. Band’s from that scene tended to be pretty downcast but Crescent took the biscuit. Exquisite miserablism!

6. Papa Sprain & Butterfly Child – “Lalena”
Wasn’t Butterfly Child’s high-watermark Ghetto Speak EP basically a Papa Sprain/BC collaboration? In any case, here they are together with a track created for a Donovan tribute CD put out by Vancouver’s Nettwerk Records (which also featured a collab between Brix Smith and her then beau Nigel Kennedy!) One rather suspects said CD could be found in just about any dollar bin around the Metro Vancouver area.

7. In Heaven – “Aquanova”
A slight dip in audio quality here caused by the fact that this band seem never to have made it to vinyl or CD. This is the title track from a cassette release. Very much in the post-A.R. Kane style of the artists discussed immediately above.

8. Bracken – “Evil Teeth”
Chris Adams from Hood with a magnificent mix of free jazz chaos and digital electronica… well.. chaos! Did this really come out on genre-defining “post-rap” label Anticon? And – if so – what does that say?

9. The Declining Winter – “Summer Turns to Hurt”
Another Hood spin-off, this time led by Chris’s brother Richard Adams. Also featuring this here blog’s good buddy Paul Elam aka Fieldhead.

10. Shiva Affect – “Cloud My Way”
Almost as obscure as In Heaven, these fellows at least managed to put out a CD (Yahweh), from which this song is taken. Think Bark Psychosis in space.

11. Navigator – “Dorothy Carter”
We’re getting into the UK-bands-inspired-by-US-post-rock zone here, which can be troublesome ground. This is a great tune, though.

12. State River Widening – “Amsterdam Green”
Likewise but even more so in every sense.

13. Ganger – “Cats, Dogs & Babies’ Jaws”
Surprising there weren’t more post-rock bands from Scotland. Of course, there’s that band. You know the one!

14. .O.Rang – “Little Sister”
Brilliant and ground-breaking as they were Talk Talk’s growing reputation as the great precursor to post-rock is somewhat overstated. This here blog would argue that Public Image Ltd., 23 Skidoo and Dif Juz were more indicative of what made early UK post-rock truly great and important. In any case, Talk Talk were, of course fantastic and it should be remembered that Lee Harris and Paul Webb went on to be .O.Rang, producing a sound that recalled the ethnological forgeries of Can (another great UKPR precursor).

Click here to download UK Post-Rock Vol. 8!

Entry filed under: mix CDs, MP3s, post-rock, Post-Rocktoberfest 2011, UK post-rock. Tags: , , , , .

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