Posts tagged ‘mix CDs’
Following a copyright complaint made by the IFPI in London in regards to The Acid Folk Vol. 2, all of the mix CDs posted on this here blog have now been deleted. Also, to be on the safe side, all individual MP3 files have also been deleted from the blog. Apologies to all concerned.
Two compilation CDs for your mother because you forgot to buy here flowers.
Umm… You might not want to show her that video, though.
1. Tim Hardin – “Reason to Believe”
2. Hank Williams – “The Angel of Death”
3. The Byrds – “Here Without You”
4. Mike Nesmith and The First National Band – “Joanne”
5. Joni Mitchell – “I Don’t Know Where I Stand”
6. Kenny Rogers and The First Edition – “Just Dropped In”
7. Tim Buckley – “Song to the Siren”
8. Emmylou Harris – “Boulder to Birmingham”
9. Richie Havens – “High Flyin’ Bird”
10. John Martyn – “May You Never”
11. Tom Waits – “Downtown Train”
12. The Rolling Stones – “Dead Flowers”
13. Fleetwood Mac – “Rhiannon”
14. Townes Van Zandt – “Pancho and Lefty”
15. Gram Parsons – “Return of the Grievous Angel”
16. Bruce Springsteen – “Born to Run”
17. Joanna Newsom – “Soft as Chalk”
18. John Fahey – “When the Catfish is in Bloom”
1. Creedence Clearwater Revival – “Lookin’ Out My Back Door”
2. Palace Brothers – “I am a Cinematographer”
3, Tim Hardin – “If I Were a Carpenter”
4. Scott Walker – “Duchess”
5. The International Submarine Band – “Blue Eyes”
6. Bob Dylan – “Love Minus Zero/No Limit”
7. Leonard Cohen – “There is a War”
8. Loudon Wainwright III – “Be Careful There’s a Baby in the House”
9. Neil Young – “After the Gold Rush”
10. Meat Puppets – “Up on the Sun”
11. Bongwater – “The Drum”
12. Low – “Sunflower”
13. American Music Club – “Fearless”
14. Emmylou Harris – “Pancho & Lefty”
15. Townes Van Zandt – “Dead Flowers”
16. Buffy Sainte-Marie – “Adam”
17. Tim Buckley – “Dream Letter”
18. The Grateful Dead – “Box of Rain”
Those of you who remember previous posts on the subject of early American post-rock will recognize some of these tracks. Those of you labouring under the misapprehension that US post-rock is total crap are in for a pleasant surprise.
This stuff has a reputation for being a rather sterile mix of instrumental indie rock and light jazz fusion. This compilation aims to show that the earliest and best American post-rock was a natural extension of UK post-rock’s futuristic eclecticism.
It’s also worth noting that the Wire magazine article in which Simon Reynolds first identified a specifically American strain of post-rock concentrated heavily on an emerging strand of space rock, in which analogue synths and effects pedals were far more prominent than vibraphones and six-string bass guitars. Having said that, the first track on this compilation features both a vibraphone and – almost certainly – a six-string bass.
Click here to download US Post-Rock Vol. 1 or click the links in the track-list below to preview the individual tracks. And don’t forget to support the artists whenever the opportunity arises!
1. Tortoise – “Glass Museum”
In a very specific sense, Tortoise are a bit like My Bloody Valentine. Each band spawned a legion of imitators, who only bothered to superficially imitate the surface details of the music, failing to touch the thick, rich layer of true strangeness that lay beneath.
2. Trans Am – “Firepoker”
Quite possibly the first band to build a sound on a basis of tongue-in-cheek 80s popular culture references. But there’s no hypnagogic fug here, only invigorating percussive clarity.
3. Salaryman – “Voids + Superclusters”
The experimental alter ego of punk-pop band Poster Children. In terms of their influences and procedures, Salaryman were very much grooving along the same lines as many of the British post-rock bands. Being American, though, their material was purely instrumental.
4. Bowery Electric – “Fear of Flying”
Not that all US post-rock bands lacked in the vocals department. Here we have hip-hop beats, dub bass and shoegaze guitars, all topped off with cooing female vox. Now that‘s the 90s!
5. UI – “Sexy Photograph”
Even some of the primarily instrumental USPR bands would break out the vocals occasionally. Presumably that’s future New Yorker music critic Sasha Frere-Jones doing the hollering on this cut.
6. The For Carnation – “A Tribute to”
It has been said that Slint’s Spiderland was the key precursor to instrumental US post-rock and third-generation emo post-rock. Many of the folks who have said this genuinely seem never to have noticed that Brian McMahan’s mumbled vocals are one of the key elements of that album’s vividly dreamlike atmosphere. This track from McMahan’s post-Slint project is rather closer to UK post-rock than it is to any of the garbage Spiderland supposedly inspired. It’s downright funky!
7. Cul De Sac – “Doldrums”
Nine minutes of what sounds like a cassette recording of a Neu! rehearsal. In a good way!
8. Gastr Del Sol – “Rebecca Sylvester”
It almost seems unfair to lump the duo of Jim O’Rourke and David Grubbs in with post-rock. Somehow they were more interested in stepping outside rock than they were in moving beyond it. Still, they were very definitely tied into the Louisville/Chicago milieu that spawned Slint and Tortoise, so…
9. Labradford – “El Lago”
This is where we get into outer space. Labradford’s music was like a gorgeous elegy for the glory day’s of the US space programme. As vividly dreamlike as anything on Spiderland, without actually sounding much like Slint.
10. Fuxa – “Photon”
Wooshing analogue synths and chiming guitars. It must be space-rock!
11. Windy & Carl – “Lighthouse”
Space-rock drifting into shoegaze territory. Flying Saucer Attack fans will dig this one.
12. Stars of the Lid – “The Evil That Never Arrived”
Beautiful processed guitars business. These chaps were way ahead of their time in a lot of ways.
13. Rome – “Intermodal”
As with the Stars of the Lid track, this stands as proof that American post-rock bands were just as capable of dissolving into full-on abstraction as their British cousins. This is almost like a lo-fi take on Main.
Ultra-obscure bands! Little-known side projects! If volume seven was solid and familiar, this one is ragged and delightfully confounding. Click here to download UK Post-Rock Vol. 8 or click on the links in the track-list below to preview the individual songs. Like something you hear? Go buy the artist’s actual albums – preferably on vinyl!
1. ROC – “Cheryl”
Not really post-rock per se but ROC were highly illustrative of an experimental pop style that was very much contemporary with the original UKPR scene. This style has been fairly well represented in the UK Post-Rock compilation series, with tracks by the likes of Adventures in Stereo, Locust, Screeper and – of course – Experimental Pop Band.
2. Mark van Hoen – “Photophone Call”
Talking of Locust, here’s a track from a recent solo album by that band’s leader (and Seefeel founder) Mark Van Hoen. Where is the Truth was perhaps the tragically overlooked LP of 2010.
3. Matt Elliott – “The Mess We Made”
Also tragically overlooked, Third Eye Foundation mainstay Matt Elliott’s first solo album The Mess We Made is an absolute gem. Here’s the title track.
4. Foehn – “We Tear at Each Other’s Hearts”
Foehn was Debbie Parsons, who contributed heavily to The Third Eye Foundations scarifying Ghost album. Foehn’s work is less nerve-wracking but equally spooky.
5. Crescent – “Drift”
Like Matt Elliott and Foehn, Crescent were central to the Bristol post-rock/space rock scene. Band’s from that scene tended to be pretty downcast but Crescent took the biscuit. Exquisite miserablism!
6. Papa Sprain & Butterfly Child – “Lalena”
Wasn’t Butterfly Child’s high-watermark Ghetto Speak EP basically a Papa Sprain/BC collaboration? In any case, here they are together with a track created for a Donovan tribute CD put out by Vancouver’s Nettwerk Records (which also featured a collab between Brix Smith and her then beau Nigel Kennedy!) One rather suspects said CD could be found in just about any dollar bin around the Metro Vancouver area.
7. In Heaven – “Aquanova”
A slight dip in audio quality here caused by the fact that this band seem never to have made it to vinyl or CD. This is the title track from a cassette release. Very much in the post-A.R. Kane style of the artists discussed immediately above.
8. Bracken – “Evil Teeth”
Chris Adams from Hood with a magnificent mix of free jazz chaos and digital electronica… well.. chaos! Did this really come out on genre-defining “post-rap” label Anticon? And – if so – what does that say?
9. The Declining Winter – “Summer Turns to Hurt”
Another Hood spin-off, this time led by Chris’s brother Richard Adams. Also featuring this here blog’s good buddy Paul Elam aka Fieldhead.
10. Shiva Affect – “Cloud My Way”
Almost as obscure as In Heaven, these fellows at least managed to put out a CD (Yahweh), from which this song is taken. Think Bark Psychosis in space.
11. Navigator – “Dorothy Carter”
We’re getting into the UK-bands-inspired-by-US-post-rock zone here, which can be troublesome ground. This is a great tune, though.
12. State River Widening – “Amsterdam Green”
Likewise but even more so in every sense.
13. Ganger – “Cats, Dogs & Babies’ Jaws”
Surprising there weren’t more post-rock bands from Scotland. Of course, there’s that band. You know the one!
14. .O.Rang – “Little Sister”
Brilliant and ground-breaking as they were Talk Talk’s growing reputation as the great precursor to post-rock is somewhat overstated. This here blog would argue that Public Image Ltd., 23 Skidoo and Dif Juz were more indicative of what made early UK post-rock truly great and important. In any case, Talk Talk were, of course fantastic and it should be remembered that Lee Harris and Paul Webb went on to be .O.Rang, producing a sound that recalled the ethnological forgeries of Can (another great UKPR precursor).
This year’s Post-Rocktoberfest festivities will include three new mix CDs! UK Post-Rock Vol. 7, presented here, consists mostly of tracks by acts that have appeared on previous UK Post-Rock compilations. UK Post-Rock Vol. 8 will consist mostly of tracks by acts that have not appeared on previous volumes. US Post-Rock Vol. 1… well, you can work that one out for yourself.
On all of these compilations, some minor post-production has been carried out, in order to provide as close to a seamless listening experience as possible. In some cases, this might mean the tracks have been topped and tailed a bit but it’s all in the interests of a pleasurable overall listening experience. If you want to hear the songs as the artists intended, go buy the original albums. Actually, you should go buy all the original albums anyway because they’re all great!
Of course, finding legit copies of the original albums won’t always be that easy. This is only partly because a lot of UKPR classics are no longer in print. It’s also because this compilation collects some pretty rare tracks from compilations, Peel sessions etc.
Click here to download UK Post-Rock Vol. 7 or click on the links in the track-list below to hear the individual songs.
1. Papa Sprain – “I Got Stop”
Included because it’s their best song and it had somehow failed to appear on any of the previous volumes.
2. Butterfly Child – “We, the Inspired”
A rarity taken from one of those Volume compilations. Remember them?
3. Pram – “Dancing on a Star”
Birmingham post-rock! A surprising amount of post-rock came out of Birmingham.
4. Broadcast – “Pendulum”
Another case in point. Sad that so many of us only recently came to appreciate Broadcast, given the tragic death of Trish Keenan. They had so much more to teach us!
5. Laika – “If You Miss (Laika Virgin Mix)”
A remix of a track from Laika’s debut album (Silver Apples of the Moon). This was created for Kevin Martin’s Macro Dub Infection Vol. 1 compilation, which was released on Virgin Records – hence the punning title.
6. Moonshake – “Coming (Peel Session Version)”
A radio session take on a track from Moonshake’s debut EP, back when they were a borderline shoegaze act. On the officially-released version, Dave Callahan’s vocal borders on the ethereal (someone in the office even misremembered that Margaret Fiedler – later of Laika – sang this one). On the version presented here, Callahan really lets rip – as does the rest of the band, for that matter!
7. Insides – “Further Distractions”
A remix of a track from the classic Euphoria album. This is taken from a rare promo 12″.
8. Bark Psychosis – “Manman”
Like the Papa Sprain track, this is a stone-cold classic that really should have featured on an earlier compilation in this series.
9. Disco Inferno – “Lost in Fog”
From the It’s a Kids World EP. DI at their most intense and chaotic.
10. Flying Saucer Attack – “My Dreaming Hill”
Their finest moment?
11. Fridge – “Lost Time”
Weird that these folks have had so much more success in their solo careers than as a group. Here they are at their lovely, melodic best.
12. Seefeel – “When Face Was Face”
Turns out that Succour is a really great album. Actually, just about everything by Seefeel is pure gold.
13. Main – “Blown”
Traces of Main’s origins in the much-loved hypno-rock act Loop are evident on this track from the early EP Dry Stone Feed.
14. The Hair & Skin Trading Company – “Highbury”
Traces of The Hair & Skin Trading Company’s origin in the much-loved hypno-rock act Loop are not at all evident on this track from their final EP Crouch End.
This is what the Bubblegum Cage III’s editorial staff will be listening to on its (early) summer holiday. As with all of this here blog’s seasonal mix CDs, Spring 2011 tends towards the poppy side of things. Basically, it’s something you can listen to while you drive your car or do the ironing or whatever it is you people get up to. And as with all mix CDs posted here, the MP3s are provided as samples of albums you really ought to go out and pay money for. If your music is featured on this compilation and you wish it wasn’t, just say the word and all relevant links will be removed, ASAP. Bubblegum Cage III recognizes and respects the fact that some artists don’t like having their songs shared online – which is the only reason Woebot’s “Argos” isn’t featured in the track-listing below…
1. The Fall – “Edie”
2. James Blake – “Lindisfarne II”
3. Destroyer – “Downtown”
4. Hype Williams – “The Throning”
5. Belong – “Perfect Life”
6. Panda Bear – “Surfer’s Hymn (Actress Primitive Patterns Remix)”
7. Das Racist – “Ek Shaneesh”
8. Gang Gang Dance – “Mindkilla”
9. Kellarissa – “Undock”
10. Seefeel – “Airless”
11. Oval – “Kreak”
12. Tape – “Companions”
13. Forest Swords – “If Your Girl”
14. Burial – “NYC”
This here blog never thought it would be posting another new Acid Folk compilation. After all, aren’t the four volumes already posted here exhaustive enough? But with May just getting start, who can resist? So, here it is: The Acid Folk Vol. 5. Perfect music for dancing ’round the May Pole, prancing around the village with the ‘Obby ‘Oss and generally going about your business on a May morning in May.
Actually, the most immediate inspiration for this compilation was Rob Young’s absolutely phenomenal book Electric Eden. Young’s 600-page survey of the “folk” influence on British music throughout the 20th century stood as a reminder of favourite tracks and an introduction to all sorts of weird and wonderful obscurities. If you have any interest at all in this stuff, you really need to get a copy of this book.
As with all of the mix CDs posted on this hear blog, The Acid Folk Vol. 5 is intended as a sampler. Most of the artists featured here have CD and/or vinyl re-issues in print. And if you’re looking for more compilations, Gather in the Mushrooms and the four-CD box set Anthems in Eden are both heartily recommended.
Here’s the full track-listing for The Acid Folk Vol. 5:
1. Shirley & Dolly Collins – “Go from My Window”
A particularly stirring performance from Shirley Collins MBE. A song in which sexual advances are successfully discouraged. Consequently, nobody gets murdered. Basically, British folk songs are like horror films – if anyone gets laid, someone’s gonna get murdered.
2. Bert Jansch & John Renbourn – “The Time Has Come”
A lovely Anne Briggs song from the Pentangle guitarists. Did Briggs maybe write this about Jansch? Anyway, more from all concerned later in the mix.
3. Steeleye Span – “Blackleg Miner”
For Carl Impostume.
5. Nick Drake – “Way to Blue”
Turns out this fellow was pretty good.
6. Richard & Linda Thompson – “I Want to See the Bright Lights Tonight”
Dig those synth-trumpet arpeggios! Showcasing the rockier side of 70s folk-rock. Speaking of which…
7. Roy Harper – “Male Chauvinist Pig Blues”
This Who-style romper barely even qualifies as folk-anything but what a tune! Why exactly does Harper’s magnum opus Stormcock (from which this song is not taken) only warrant literally about three sentences in Electric Eden?
8. C.O.B. – “Spirit of Love”
Led by Clive Palmer. He was in the original line-up of The Incredible String band but he didn’t do much, apparently. More of them later.
9. Shirley Collins & The Albion Country Band – “Poor Murdered Woman”
Shirley Collins MBE, again. There’s no actual sex or violence in this song but y’know… it’s implied.
10. The Woods Band – “January Snows”
Gay and Terry Woods, who we heard earlier on Steeleye Span’s “Blackleg Miner”. This is a really great tune.
11. John Martyn – “Bless the Weather”
More typical of the earlier, acoustic Martyn than the echoplexed aqua-funk of his classic era. It’s all good, though.
12. The Incredible String Band – “Koeeoaddi There”
13. Heron – “Lord and Master”
Not featuring Mike Heron from The Incredible String band.
14. Anne Briggs – “Willie O’Winesbury”
Her finest performance? You might know this tune from Fairport Convention’s “Farewell, Farewell”.
15. Mr. Fox – “Mendle”
A genuinely peculiar band, without seeming to try quite as hard as certain other acts of the era. Not mentioning any names. Apart from The Incredible String Band, obviously.
16. The Pentangle – “Pentangling”
Freeform bass solo!
17. Fairport Convention – “A Sailor’s Life”
This track is pretty much the wellspring of all UK folk-rock. Incalculably seminal!
Download The Acid Folk Vol. 5
The first volume of Pirate Soundz got a pretty good reaction, so here’s volume two. This time around, the focus is on grime – which emerged, around the turn of the millennium, as a rave-spawned UK equivalent to Jamaican ragga or American hip-hop.
As you might expect, then, most of the tracks here focus on emcees spitting (sometimes) morally-questionable lyrics. The only instrumental tune is Low Deep’s “Str8 Flush”. Nevertheless, this compilation should provide a reasonably accurate overview of the grimy production style – which mixes the bass-heavy rudeness of rave with the rhythmic itchiness of US R&B, all topped off with cheap-and-cheerful VST synth melodies. Notably, two of the songs here are credited to ace producer Terror Danjah, rather than the emcees they feature.
Actually, one way or another, the same handful of names and voices keep cropping up throughout the mix. The fact is, grime was (and continues to be) an extremely localized scene, centred around a small area of East London. Grime is inseparable from its very specific place of origin, which may explain why it has never developed the kind of global prominence enjoyed by dubstep (a style which developed around the same time, from the same roots).
Still, listening to Pirate Soundz Vol. 2, you’ll have a hard time thinking of grime as any kind of failure. These tracks sound majestic and energizing and they were compiled to sound just that way. There’s no real attempt to be chronologically correct or historically comprehensive here, just a desire to present this music as something triumphant, uproariously witty and fundamentally unstoppable. That’s why the comp starts with “Don’t Give a Fuck” by Lykez – it’s hardly a classic grime standard but damn does it ever kick hard!
Basically, you’re going get a lot of pleasure out of this mix and you’re going to want to go out and spend some money on some actual product by the artists featured herein – plenty of whom have CDs and LPs in print. A good place to start might be with the first Run the Road CD – an epochal compilation, which was the source of several tracks presented here.
Two last things:
1. Big up to the Blissblogger, who inadvertently suggested a lot of the tracks that made it onto the final track-listing.
2. As ever, if you were involved in creating, publishing, manufacturing or distributing any of the music on this compilation and you object to Bubblegum Cage III sharing it, please just say the word and the right thing will done, without hesitation.
Here’s the full track-listing for Pirate Soundz Vol. 2.
1. Lykez – “Don’t Give a Fuck”
2. Roll Deep – “When I’m ‘Ere”
3. Ruff Sqwad – “Lethal Injection”
4. Trim – “Money Up Front”
5. Jammer – “Destruction VIP”
6. Wiley – “Pies”
7. Wiley – “Where You Gonna Run To?”
8. Terror Danjah – “Reloadz”
9. Terror Danjah – “Cock Back V1.2″
10. Kano – “Boys Love Girls”
11. Lethal Bizzle – “Pow”
12. Durrty Goodz – “Axiom”
13. Dizzee Rascal – “I Luv You”
14. Crazy Titch – “Sing Along”
15. Low Deep – “Str8 Flush”
16. Tinchy Stryder – “Move”
17. Slew Dem – “16 Bar”
18. Trim – “The Lowdown”
Pirate Soundz is a new series of compilations, which will provide an outsider’s view of the music that has emerged from London’s pirate radio culture over the last 20-or-so years. This first volume concentrates on the twinned inner cities of jungle and drum & bass. Generally, it eschews the more conventionally musical “progressive” drum & bass to examine the more eccentric aspects of hard-and-fast jungle. Experts in this area of endeavor are asked to go easy on the layperson-compiled tracklist but they are also encouraged to suggest alternatives, via the comments box.
Pirate Soundz Vol. 1 begins with a couple of tracks that demonstrate how ‘arkore rave music evolved into jungle, with increasingly complex splicing of sampled drum breaks taking over from swooping synths and sped-up vocal samples as the music’s main narrative element (Rufige Cru, Nasty Habits). If the compilation itself has a narrative, it’s something to do with rave’s descent from euphoria into paranoid ganja psychosis – with samples from then-contemporary US rap hits providing a crucial undertow (DJ Zinc, Elementz of Noise). Where a more explicitly progressive sensibility is in evidence, it comes – once again – through the elaborate, time-warped drum programming (Tek 9, Photek).
As ever, if you were involved in the creation or marketing/distribution of this music and you’re offended by its appearance on this compilation, just let Bubblegum Cage III know and the decent thing will be done. For those of you who would like to do the decent thing yourselves by actually buying some product from the artists featured here, it’s worth noting that two other comps were particularly helpful in the creation of this mix. The first was Routes from the Jungle, a 2CD collection put together for Virgin Records by Kevin Martin aka The Bug (available via Amazon). The second was Here Come the Drums, complied for Caipirinha by Wire magazine writer Peter Shapiro (available from Amazon). Both are well worth buying. Anyone who can provide alternative routes to actually pay for some of this music are encouraged to drop some links in the comments box.
Here’s the full track-listing for Pirate Soundz Vol. 1:
1. Rufige Cru – “Killa Muffin”
2. Nasty Habits – “Here Come the Drumz”
3. 4hero – “Wrinkles in Time”
4. Tek 9 – “A London Sumtin”
5. Boogie Times Tribe – “Dark Stranger”
6. Roni Size & DJ Die – “Music Box”
7. Photek – “Ni-Ten-Ichi-Ryu (Two Swords Technique)”
8. Omni Trio – “Thru the Vibe”
9. Optical – “Slip Thru”
10. Ed Rush – “Bludclot Artattack”
11. DJ Zinc – “Super Sharp Shooter”
12. Aphrodite – “Woman That Rolls”
13. Elementz of Noise – “Other Side of Town”
More re-uploads of old mix CDs, although none of these have ever really been available online before. In fact, volume three of the Abstract Audio series never even made it beyond the Bubblegum Cage III’s office stereo. Anyway, the important thing to know about these is that – other than the UK Post-Rock compilations – no mixes could be any closer to this here blog’s heart.
Roughly speaking, Vol. 1 surveys the late 90s/early 00s glitch sound (Oval, Fennesz, Ekkehard Ehlers & Stephan Mathieu etc.). It was originally circulated among friends as a CDR called Audio Classics Vol. 1, in April 2006.
Vol. 2 posits a kind of “post-glitch” scene (Mountains, Tape, Greg Davis etc.), which combined – and continues to combine – granular textures with bucolic acoustic instrumentation, in a fashion that recalls Fennesz and late-period Gastr del Sol. It was originally circulated as a CDR called Unplug, in February 2007.
Vol 3. investigates related sounds in a more immersive and rhythmically-focused context (Rhythm & Sound, Monolake, Gas etc.) This one was originally called Loscil Substitutes, which is the only available excuse for the fact that it doesn’t feature any music by Loscil. It was originally compiled as a lullaby of sorts for an unimpressed sweetheart. Maybe you’ll like it more than she did, dearest reader.
In summary then, we’re talking experimental electronica here, folks. And we love it! Track listings and download links below. Enjoy!!
Abstract Audio Vol. 1
1. Farmers Manual – “Mystery Cellar”
2. Fennesz – “Caecilia”
3. Oval – “Do While (Cut)”
4. Vladislav Delay – “Anima (extract)”
5. Basic Channel – “Mutism”
6. Alva Noto – Untitled (track 6 from Prototypes)
7. General Magic – “Temko”
8. Pita – Untitled (track 3 from Get Out)
9. Ekkehard Ehlers – “Plays Cornelius Cardew 1″
10. Stephan Mathieu – “Für Frans”
11. Stephan Mathieu & Ekkehard Ehlers – “Rose”
12. Fennesz – “Codeine”
13. Farmers Manual – “Final Lap”
Abstract Audio Vol. 2
1. Sébastien Roux – “The Classical Guitar Song”
2. Giuseppe Ielasi – “Plans (extract)”
3. M. Rösner – “Decay”
4. Tsukimono – “Punked Up Fuck Attitude”
5. Tu M’ – “What You Say?”
6. 3/4HadBeenEliminated – “In Every Tree a Heartache”
7. Mountains – “Bay”
8. Tape – “Sand Dunes”
9. Hauschka – “Hauschkamp3″
10. Ogurusu Norihide – Untitled (track 2 from Modern)
11. Greg Davis – “Campestral (Textured)”
12. Chihei Hatakeyama – “Swaying Curtain in the Window”
13. Anders Dahl – “Hundloka (extract)”
14. Lawrence English – “Ghost Towns (extract)”
Abstract Audio Vol. 3
1. Monolake – “Void”
2. Pan•American – “How Much Progress One Makes”
3. Rhythm & Sound – “Distance”
4. The Sight Below – “No Place for Us”
5. Biosphere – “Daphnis 26″
6. Basic Channel – “Quadrant Dub I Edit”
7. Vladislav Delay – “Raamat”
8. Deepchord Presents Echospace – “Celestialis”
9. Porter Ricks – “Biokinetics 2″
10. Gas – “Pop 2″
11. Vainqueur – “Elevation (Version 1)”